New Piece Up at The Nervous Breakdown

Have an except from a  memoir I’m working on, called “Your Life in Sex, Drugs and Rock and Roll” up at The Nervous Breakdown. Check it out here:



Thanks, Stephen Elliott

For those of you who haven’t read Stephen Elliott (http://stephenelliott.com/), he’s a hell of a writer. His last book, THE ADDERALL DIARIES was/is one of the best I’ve read in the last few years. He takes what’s becoming an increasingly formulaic genre (the memoir) and makes it new. Truly, a great book. Several of his other books are very strong, as well–my favorites are HAPPY BABY and MY GIRLFRIEND COMES TO THE CITY AND BEATS ME UP.

Anyway, there’s a fine interview with Stephen up at the new blog, Mourning Goats–this is their first interview, an it’s a good one. I look forward to more of this interesting blog of interviews with writers. And, while it’s a fine interview all on its own, it became one of my favorites when Stephen Elliott mentions me in this lovely line:

“Some writers that I think should receive more attention include Rob Roberge, Corrina Bain, Michelle Tea, and Bucky Sinister…”

Very cool to see–and some very cool company to be in (if you haven’t read Michelle Tea’s VALENCIA, you’re missing out). Read the whole interview here:



Some cool new news and stuff of mine on the web…

Hey All–

I got asked by David at the Largehearted Boy Blog (a GREAT blog you should check out often, as it’s always updated with cool stuff…unlike the infrequent posts here) to do a play list to go with WORKING BACKWARDS FROM THE WORST MOMENT OF MY LIFE. This is a great idea…and a lot of the other writers did some VERY cool choices. Anyway, here’s mine:



Also, WORKING BACKWARDS was named one of the notable books of 2010 over at The Nervous Breakdown. It’s a real honor to be on this list, especially with the quality of the other books. And, not only that, I’ve now reached a career goal of being mentioned in an article with Keith Richards. So I can retire happy now.



Interview up at the Rumpus



I had a really fun interview with the great Gina Frangello (http://www.ginafrangello.com) that’s up at the Rumpus.



New post up at the Nervous Breakdown

Hey All-

I’ve started doing a column for the Nervous Breakdown…a great page for anyone interested in writing and arts & culture. Enjoy:



Two Guitar Bands

A recent piece I did for myrareguitars.com–a great page for gear geeks. Hope you enjoy–


There is nothing quite a great two-guitar rock and roll band. By this, I don’t mean just any band where one guitar strums rhythm, while another player does the lead, but a band where the two guitars work together so symbiotically, they become almost a single great instrument in the band. When two guitar players are truly locked in, the give and take creates a tension that just doesn’t, can’t, happen when there’s only one guitar player.

This doesn’t mean you NEED two guitars to make a great band—I’d be leaving off a lot of great guitar music if I scratched Hendrix, Cream-era Clapton, The Who, early Uncle Tupelo and a ton of other great bands. Nor do you need to have the kind of two-guitar interplay I’m talking about to have a great band—there are fabulous bands with two guitars playing standard rhythm-lead arrangements that don’t fall into the category I’m talking about here. Bands like CCR, the Beatles, the Byrds, Big Star, the Replacements and the Kinks are filled with great guitar work. But great guitar work done (usually) in the traditional rhythm/lead style.

No, I’m talking here about bands where the two guitars are so intertwined, so filled with communication that the players seem to be operating on a telepathic level when playing. There’s nothing quite like it (for the player or audience) when two guitars really have that going on.

Here’s a list of some great twin-guitar bands. I’m not claiming these are the GREATEST twin-guitar bands, as music is largely an issue of taste. And my greatest is not your greatest. For instance, while I greatly admire the dual-guitar work on King Crimson’s DISCIPLINE record, I don’t really love the record, so it’s not on the list. But that’s no dig on the talent and ability and chops of Belew and Fripp—you’ll find a bunch of players on this list who are, technically, nowhere near as good as the guys in Crimson. But here are some bands who, if you love dual-guitar, you just might love. Some of them are big and you’ll have heard of them, some of them should be bigger and you might want to check them out. In no particular order:

  • The Rolling Stones: While there may not be a “particular order” you kind of have to put them first because, well, they’re the Stones…not named “The World’s Greatest Rock & Roll Band” for nothing. While early Stones is incredible, and Brian Jones had a wonderful genius for playing, well, for playing things that weren’t guitars (sitar, dulcimer, and so on), the band really starts becoming a major two-guitar band in the Mick Taylor years (1969-74). Listen to the interplay that drives through EXILE ON MAIN ST and you’ll hear Richards and Taylor at their best. Ron Wood, the “new guy” (all 34+ years of being the new guy) is no slouch, either.
    Richard Hell & the Voidoids on stage at CBGB in 1976Richard Hell & the Voidoids on stage at CBGB in 1976

  • Richard Hell and the Voidoids (first album, especially): Ivan Julian and the late, great Robert Quine offer up a killer dose of dueling guitars on the first album. Great tones, great playing and great intertwining parts—while showing each player’s distinct style in their solos. Check out the traded leads on “The Kid with the Replaceable Head” and tell me you don’t love guitar.
  • The Dream Syndicate: For their whole career, but especially on the still fresh and incredible sounding DAY OF WINE AND ROSES. The original lineup of the band (with Karl Precoda and Steve Wynn on guitars) brought back long guitar songs—reclaiming them from boring patchouli drenched jam bands and given them back to rock and roll. Examples? The title track, with Precoda torturing a Harmony-made Silvertone awash in feedback, or “Halloween” with Wynn showing us why those plinky Jazzmasters are such great guitars when used right. And they are used right here.
  • Luna: Again, most of their recorded work. But the live version of “23 Minutes in Brussels” from the fine movie of their final tour TELL ME DO YOU MISS ME is a good place to start. They were always a great night out for lovers of guitar (or of great songs) and this has some great live footage of underrated guitarists Dean Wareham and Sean Eden (along with a fabulous rhythm section…actually every band on this list has a great rhythm section, which should tell you something about what guitar players need to soar) making some great guitar rock. Also, anyone who doesn’t own PENTHOUSE has missed out on some of the best music of the last 15 years. I wouldn’t stop there, but it’s not a bad start.
  • Neil Young & Crazy Horse (especially in the Danny Whitten era): Later versions of the band have Young handling (quite capably, btw) all the lead guitar. But to listen to the interplay between Young and Whitten on EVERYBODY KNOWS THIS IS NOWHERE is a true joy.
    Johnny Thunders & the HeartbreakersJohnny Thunders & the Heartbreakers

  • Johnny Thunders and the Heartbreakers: Maybe a surprise pick, but damn if LIVE AT THE SPEAKEASY doesn’t show the 2nd-Generation Heartbreakers (after Richard Hell left) as one of the great two-guitar bands of all time. Walter Lure and Johnny Thunders learned all (or at least most) of what was great about Chuck Berry, Keith Richards and R&B and tossed it into this great mix. If there had been less heroin and better lyrics in this band, they might have conquered the world.
  • Television: Wow, three bands that Richard Hell was a part of at one point (though he isn’t on any of the classic Heartbreaks or Television material). But Tom Verlaine and Richard Lloyd set the bar for punk-era dual guitar bands. Listen to the majesty of the building guitars of the title track on MARQUEE MOON, or the incredible intertwining guitars on “See No Evil” or “Prove It.” One of the all-time great bands for guitar-heads. These two guys play together, as Richard Lloyd once said, “like the gears of a watch.” No doubt.
  • Wilco: Another, perhaps, surprise pick. And while, if I had to choose (and I’m glad I don’t), I’d take the Jay Bennett era Wilco over any other lineup, the current lineup is a better live band and able to show off a range than would stun most rock bands. Nels Cline has been showing the world what had been one of LA’s biggest secrets prior to his joining Wilco—that he’s one of the best guitar players alive. A man able to play a three hour show and not play a cliché. Not easy. And for anyone who doubts Jeff Tweedy is a great guitar player, listen to “Kidsmoke” (off A GHOST IS BORN) and tell me differently. One of the great guitar songs of the last ten years. Also, check out any live footage of the current band doing “Impossible Germany” which blends not two, but three guitars (thanks to multi-instrumentalist Pat Sansone) in about a beautiful a fashion as possible.
    The Velvet Underground and Nico in 1966The Velvet Underground and Nico in 1966

  • The Velvet Underground: Really, any of the records, but check out how Reed’s “ostrich” guitar (the strings all tuned to one note) and Sterling Morrison’s standard-tuned guitar go together on the classic “Run, Run, Run” or the gothic drone of “All Tomorrow’s Parties.” Or, to jump to the third album, the classic rhythm/lead combo of “What Goes On.”

So, there you go. A short starter-list of great two-guitar bands. Buy some CDs, or download the MP3s or add it to your phone or the chip in your head or whatever it is you kids do to get music these days. But, remember, PAY the artist for it!


Truman Capote’s lost novel

My good pal a fine writer Kate Maruyama has a great take on the lost Truman Capote novel SUMMER CROSSING up at the cool site Annotation Nation. Check it out: